The Leica SL2-S

Jonathan Slack December 10th 2020

 

 

Introduction

Leica introduced the SL2 just about a year ago (on November 6th 2019), with what’s been happening since it seems more like 100 years ago!

 

I was initially rather grumpy about it (and I quote):

 

"The SL still fulfils all my requirements, and I’m still in love with the interface. So why would I want something different, and let’s be honest - how often does one really NEED 47mp. Added to which the strap lugs on the SL2 stick out, and it only has 3 buttons on the back (rather than the 4 on the SL), and they have writing on them!"

 

You can read the rest of the review: https://www.slack.co.uk/leica-sl2.html

 

Glory Morning

Leica SL2-S  ISO 100 1/800th f4.5  Vario Elmarit 24-90

 

I had 3 SL2 cameras to test spanning the period from January 2019 until September (with a few gaps). In the end I was convinced that the new camera was a real improvement, slowly discovering that I really did ‘need’ 47 mp and I soon bought my own SL2.

 

Today Leica are introducing the SL2-S, which is certainly the camera I would have wanted back then. The new camera is directed primarily at videographers and photographers who are more interested in speed or file size than they are in high resolution. Photojournalists, Event and wildlife photographers spring to mind. The new ‘stealth’ look with the blackened out Leica points in that direction.

 

I only had the SL2-S for a couple of weeks at the end of August and the start of September this year, so this article is based on a relatively short time with the camera. I’m not going to do a detailed write up of the body and design, or of the operation of the camera, as these features are the same as the SL2.

 

Glory Morning

Leica SL2-S  ISO 100 1/100th f7.1  Vario Elmarit 24-90

What’s different?

Photography

The SL2-S has a brand new back-lit BSI-CMOS sensor with 24MP of resolution. It is capable of shooting 9 frames per second with the mechanical shutter and 25 using the HS electronic shutter. The SL2 also does 9 fps with the mechanical shutter, but only 24 in HS Mode. As the file sizes are much smaller on the SL2-S and the buffer is the same 4GB, this means that you can shoot many more shots in a burst (largely controlled by the speed of the SD card). I didn’t have a very fast SD card to test, but Leica claim that you can carry on shooting at 9 fps (mechanical shutter) pretty much until the card is full.

 

There will be a firmware upgrade in the first part of 2021 which will have improved AF including Eye Detection. There will also be a transparent ‘overlay’ function for multiple exposures which sounds like a lot of fun (hopefully it will come to the SL2 later on).

 

Fading Fern

Leica SL2-S  ISO 125 1/160th f3.9  Vario Elmarit 24-90

Videography

Here the changes are more notable The Leica SL2-S shoots 10-bit 4:2:2 video with Leica’s L-LOG gamma at frame rates up to 60fps. Unlike the SL2 there is no limit to recording time with the new camera (beyond that imposed by internal or external memory).

 

The new firmware will allow segmenting video into 1 minute chunks (to avoid data loss). It will also allow internal 10 bit 4K/60p and 50p with HEVC video compression and have an individual Viewing-LUT upload function.

 

There will also be an integrated waveform monitor and automatic follow focus.

 

Blackberry Time

Leica SL2-S  ISO 100 1/640h f4  Vario Elmarit 24-90

The Price

The SL2-S will be €1500 cheaper than the SL2 (€4500 as opposed to €5990) at the time of writing I don’t have UK or US prices.

 

The Paint

The only visible difference is the stealthy black writing on the front of the camera (perhaps Leica should have blacked out the red dot as well). In fact the writing is in gloss paint, but the body in matt (like the SL2)

 

Spiddley Spider

Leica SL2-S  ISO 100 1/250 f4.5  Vario Elmarit 24-90

What’s the same

Apart from the sensor and the price, pretty much everything is the same, same body, same processor with the same buffer and the same shot to shot times. The same weather sealing and image stabilisation. The same 5.76 million dot EVF with 0.78x magnification and the same 2,1 million dot LCD display.

That Tree Again

Leica SL2-S  ISO 100 1/125 f7.1  Vario Elmarit 24-90

High ISO

 

Sadly I’m not qualified to test or write about the camera’s video features so I’ll stick to discussing the image quality of the new sensor. In the limited time I had it seemed most relevant to check out the high ISO characteristics of the new sensor. To that end I set up my trusty tripod in our rather dark sitting room to take some images of books. Here is the scene:

 

This was shot with incident daylight seeping through a north facing window - difficult lighting conditions indeed.

 

The Serpentine Bookshelf

Leica SL2-S  ISO 100 0.5 sec f2 Vario Elmarit 24-90

High ISO

 

Sadly I’m not qualified to test or write about the camera’s video features so I’ll stick to discussing the image quality of the new sensor. In the limited time I had it seemed most relevant to check out the high ISO characteristics of the new sensor. To that end I set up my trusty tripod in our rather dark sitting room to take some images of books. Here is the scene:

 

This was shot with incident daylight seeping through a north facing window - difficult lighting conditions indeed.

 

 

The SL2-S goes up to 100,000 ISO, but rather than leave the other side blank I’ve compared it with 50,000 ISO on the SL2:

 

The SL2-S was so obviously much better at 100,000 than the SL2 at 50 I’ve done another comparison with the SL2 at 25,000 ISO. Here perhaps the extra resolution gives the SL2 the edge, however, even at 25,000 ISO there is some minor banding on the SL2, more at least than there is in the SL2-S at 100,000.

 

 

This is an impressive improvement, closer to two stops than to one, and something that street and low light shooters are going to appreciate. Even if you would want to avoid 100,000 ISO, 25,000 is really pretty good.

 

What’s in a name

So, what does the S in SL2-S stand for? I’m afraid we aren’t going to get a definitive answer to that, it could be Speed or Sensitivity, or perhaps even Stealth or Small (file size), or all of the above. I’ve asked the question of those who ought to know and they aren’t telling!

 

Happy Birthday

Leica SL2-S  ISO 1600 1/100 f4.8 Summilux M 1:1.4 50 Asph

Shooting with M lenses

Of course the main purpose of the camera is for fast AF and video, but I know that quite a lot of people are going to be interested in how well it does with M lenses. Sadly I didn’t have time to do any very careful comparisons of corner definition and vignetting with the SL2, but the general impression was that the SL2-S was at least as good and probably better.

 

However focusing was better on the SL2-S, especially when zooming in on the EVF (which has a slight visual susurration on the SL2) it also seemed that nailing focus generally was easier on the newer camera. This might be because of the lower resolution, but whatever the cause it was tangible. I have established that the SL2 and SL2-S have the same sensor stack. It would be nice to do a proper comparison, but not having a camera I’m going to have to leave that up to others!

 

Grass

Leica SL2-S  ISO 100 1/400 f4. Macro Elmarit R f2.8 60mm

Who is it for?

Well, as Leica say in their press release:

 

“The SL2-S is the perfect choice for customers who favour fast operation over the exceptionally high resolution of the Leica SL2”

 

But I think it’s going to appeal to a wider audience than that, especially at the considerably reduced price point. I think the very good high ISO, together with fast AF (and eye focus in the spring) is going to make the camera very popular with all kind of wedding and event photographers, especially with the ability to mix and match Leica, Panasonic and Sigma lenses (there really are a lot of L mount lenses around). If you’re going to shoot 2,000 shots at a wedding, you really don’t want them to be 85mb per shot (40 is bad enough!). Added to that you really don’t need the resolution.

 

Buzz

Leica SL2-S  ISO 100 1/320 f4. Vario Elmarit 24-90 SL

 

More than that, quite a lot of people are already using the SL2 with M lenses, and I think a lot more will find the SL2-S even more attractive. I’ve heard from many saying that they really don’t want 48mp, mainly because of the storage requirements, but also for the heavier processing load.

 

The new fast M lenses (90 Summilux, 75 Noctilux, 50 Noctilux) all handle better on an SL body and for many people focusing on an EVF based camera is simpler than using a rangefinder, the SL2-S is less challenging to focus with M lenses has a better magnification experience.

 

Wizard

Leica SL2-S  ISO 100 1/5000 f4.5 Vario Elmarit 24-90 SL

 

Conclusion

 

The Leica SL2-S has much improved video, with better things promised with firmware upgrades in the near future.

 

It is also a fine stills camera, allowing really fast shot to shot times and extremely good high ISO. It’s great to focus with M lenses and produces excellent image quality. For many people 24mp is still the sweet spot for resolution.

 

Added to all of this it’s considerably cheaper than the SL2, so it’s likely to attract new Leica users.

 

Once again Leica have produced a sensible and interesting camera which is going to appeal to a lot of different users, both old and new.

 

 

More Information from Sean Reid

 

As of February 1st 2021 Sean Reid at Reidreviews.com has just published side by side studio tests of the Leica SL2-S, SL2 and SL. These tests look at colour rendering, moire and file quality at ISO 50 - 100,000.

 

This is the first article in a four-part series. The next articles will include:

 

- A field test and review of the Leica SL2-S

 

- Vignetting and resolution for the Leica SL2-S, SL2 and SL (tested using the Leica SL 35/2.0 APO Summicron)

 

- Highlight headroom, estimated native ISO and useable dynamic range for the Leica SL2-S, SL2 and SL (tested using the Leica SL 35/2.0 APO Summicron)

 

- Vignetting and resolution of three rangefinder lenses tested on the Leica SL2-S, SL2 and SL

 

 

Vine

Leica SL2-S  ISO 100 1/1600 f2/8 Macro Elmarit R f2.8 60mm

S for Stealth?

Jonathan Slack

Photographs